Tim Sopranos (@timsopranos) • Hey

Australian Writer

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i think we need lens mobile
i think we need lens mobile
Take an afk break to dive into crypto-politics, anonymity, and identity. Fireside chat with @lens/simondenny (Artist and Professor at HBFK Hamburg) and Dr. Jaya Klara-Brekke (Chief Strategy Officer at NYM), at afk Berlin. May 23rd, RSVP: [lu.ma/afkberlin](https://lu.ma/afkberlin)
Introducing Lens Network. Bringing one billion users to Ethereum. Our mission is to create an open and fair social network for all. No restrictions. A place where everyone can connect, participate, and build. We believe that digital social spaces will drive Ethereum's mainstream adoption. We are making a big bet to scale Lens with Validiums and Volitions on Ethereum, leveraging @lens/zksync’s stack to achieve mainstream scale for the social network. Read more on @lens/t2world: <https://app.t2.world/article/clw6l2z0018727620mc1dq26xr2> We have opened a LIP discussion for community feedback: <https://github.com/lens-protocol/LIPs/pull/54>
Can you spot me there?…
To commemorate the milestone with @lens/lens, we collaborated with Nic Hamilton on this special artwork. Mint it for free on @lens/orb!
To commemorate the milestone with @lens/lens, we collaborated with Nic Hamilton on this special artwork. Mint it for free on @lens/orb!
gm☁️구름💕Shall we have breakfast?
tim sopranos gmmatic
tim sopranos gmmatic
congrats
if we win last 2 games we will make a new record with 105 points
the first team with 105 points
American CFTC commissioner Caroline Pham said that CFTC has recently proposed to KUCOIN allegations that may interfere with its cooperation agencies. The CFTC and the US Department of Justice accused KUCOIN on March 26, 2024 to operate an encrypted asset derivative platform without appropriate authorization. Caroline Pham said that CFTC's approach may violate the power of the SEC and destroy the strong investor protection law for decades, because it confuses a financial instrument with a financial activity and destroys the foundation of the securities market. It can be seen that supervision has always been a vague attitude
Norwegian wood in my list
lets collect this free
so many bonsais posts what is going on
so many bonsais posts what is going on
Soon my followers. Soon 😏
👀
Benjamin Alistair feat. Nat Gem - Settle In (Dir. by Dalton Voss) The official music video for 'Settle In' by Benjamin Alistair feat. Nat Gem is OUT NOW! Directed by Dalton Voss Streaming on all platforms: https://found.ee/settlein Support us by collecting for 420 BONSAI, limited to 100 editions. Alternatively, you can collect the track via sound.xyz: https://www.sound.xyz/benalistair/settle-in-feat-nat-gem
🙀🪴 This cat is making a classic GIVEWAY with $BONSAI! I will do it manually and, as a classic giveaway, you need to do these things to participate: ☛ Follow @zurfsocial ☛ Comment your address, where you want your 5k $bonsai! ☛ Mirror and Like this post (Quote counts) ⚠️ Closing at 30th Mar 11:59PM (GMT-5). That's it, let's go! 🥳
g(y)m inspired by @lens/nader
hey gm all followers
Crew[edit] Series creator and executive producer David Chase served as showrunner and head writer for the production of all six seasons of the show. He was deeply involved with the general production of every episode and is noted for being a very controlling, demanding, and specific producer.[26][32] He wrote or co-wrote between two and seven episodes per season and would oversee all the editing, consult with episode directors, give actors character motivation, approve casting choices and set designs, and do extensive but uncredited rewrites of episodes written by others.[58][68][69] Brad Grey served as executive producer alongside Chase but had no creative input on the show.[70] Many members of the creative team behind *The Sopranos* were handpicked by Chase, some being old friends and colleagues of his; others were selected after interviews conducted by producers of the show.[27][59] Many of the show's writers had worked in television before joining the writing staff of *The Sopranos*. The writing team and married couple Robin Green and Mitchell Burgess worked on the series as writers and producers from the first to the fifth season; they had previously worked with Chase on *Northern Exposure*.[71] Terence Winter joined the writing staff during the production of the second season and served as executive producer from season five onwards. He practiced law for two years before deciding to pursue a career as a screenwriter, and he caught the attention of Chase through writer Frank Renzulli.[33][72] Matthew Weiner served as staff writer and producer for the show's fifth and sixth seasons. He wrote a script for the series *Mad Men* in 2000 which was passed on to Chase, who was so impressed that he immediately offered Weiner a job as a writer for *The Sopranos*.[73] Cast members Michael Imperioli and Toni Kalem portray Christopher Moltisanti and Angie Bonpensiero respectively, and they also wrote episodes for the show. Imperioli wrote five episodes of seasons two through five, and Kalem wrote one episode of season five.[74][75] Other writers included Frank Renzulli, Todd A. Kessler (co-creator of *Damages*), writing team Diane Frolov and Andrew Schneider who worked with Chase on *Northern Exposure*, and Lawrence Konner, who co-created *Almost Grown* with Chase in 1988. In total, 20 writers or writing teams are credited with writing episodes of *The Sopranos*. Of these, Tim Van Patten and Maria Laurino receive a single story credit, and eight others are credited with writing a sole episode. The most prolific writers of the series were Chase (30 credited episodes, including story credits), Winter (25 episodes), Green and Burgess (22 episodes), Weiner (12 episodes), and Renzulli (9 episodes). Many of the directors had previously worked on television series and independent films.[59] The most frequent directors of the series were Tim Van Patten (20 episodes), John Patterson (13 episodes), Allen Coulter (12 episodes), and Alan Taylor (9 episodes), all of whom have a background in television.[59] Recurring cast members Steve Buscemi and Peter Bogdanovich also directed episodes of the series intermittently.[76][77] Chase directed the pilot episode and the series finale.[78] Both episodes were photographed by the show's original director of photography Alik Sakharov, who later alternated episodes with Phil Abraham.[79] The show's photography and directing is noted for its feature film quality.[80][81] This look was achieved by Chase collaborating with Sakharov. "From the pilot, we would sit down with the whole script and break the scenes down into shots. That's what you do with feature films."[79] Music[edit]Main article: Music on *The Sopranos* *The Sopranos* is noted for its eclectic music selections and has received considerable critical attention for its effective use of previously recorded songs.[82][83][84][85] Chase personally selected all of the show's music with producer Martin Bruestle and music editor Kathryn Dayak, sometimes also consulting Steven Van Zandt.[82] The music was usually selected once the production and editing of an episode was completed, but on occasion sequences were filmed to match preselected pieces of music.[68] The show's opening theme is "Woke Up This Morning" (Chosen One Mix), written by, remixed and performed by British band Alabama 3.[86] With few exceptions, a different song plays over the closing credits of each episode.[84] Many songs are repeated multiple times through an episode, such as "Living on a Thin Line" by The Kinks in the season three episode "University" and "Glad Tidings" by Van Morrison in the season five finale "All Due Respect".[84] Other songs are heard several times throughout the series. A notable example is "Con te partirò", performed by Italian singer Andrea Bocelli,[87] which plays several times in relation to the character of Carmela Soprano. While the show utilizes a wealth of previously recorded music, it is also notable for its lack of originally composed incidental music, compared with other television programs.[88] Two soundtrack albums containing music from the series have been released. The first, titled *The Sopranos: Music from the HBO Original Series*, was released in 1999. It contains selections from the show's first two seasons and reached No. 54 on the U.S. *Billboard* 200.[89][90] A second soundtrack compilation titled *The Sopranos – Peppers and Eggs: Music From The HBO Series*, was released in 2001. This double-disc album contains songs and selected dialogue from the show's first three seasons.[91] It reached No. 38 on the U.S. Billboard 200.[92] Sets and locations[edit]The Soprano house in North Caldwell, New Jersey (2006)Satriale's Pork Store (2007)Pizza Land (2021) The majority of the exterior scenes taking place in New Jersey and were filmed on location, with the majority of the interior shots filmed at Silvercup Studios in New York City, including most indoor shots of the Soprano residence, the back room of the strip club Bada Bing!, and Dr. Melfi's office.[58] The pork store was called Centanni's Meat Market in the pilot episode, an actual butchery in Elizabeth, New Jersey.[93] After the series was picked up by HBO, the producers leased a building with a storefront in Kearny, New Jersey[93] which served as the shooting location for exterior and interior scenes for the remainder of production; renamed Satriale's Pork Store.[93] After the series ended, the building was demolished.[94] The strip club Bada Bing! was owned and operated by Silvio Dante on the show, and is an actual strip club on Route 17 in Lodi, New Jersey.[93] Exteriors and interiors were shot on location except for the back room.[93] The club is called Satin Dolls and was an existing business before the show started.[95] The club continued to operate during the eight years that the show was filmed there, and a business arrangement was worked out with the owner.[95] Locations manager Mark Kamine recalls that the owner was "very gracious" as long as the shooting did not "conflict with his business time".[95] Scenes set at the restaurant Vesuvio, owned and operated in the series by character Artie Bucco, were filmed at a restaurant called Manolo's located in Elizabeth for the first episode. After the destruction of Vesuvio within the context of the series, Artie opened a new restaurant called Nuovo Vesuvio; exterior scenes set there were filmed at an Italian restaurant called Punta Dura located in Long Island City.[93] All the exterior and some interior shots of the Soprano residence were filmed on location at a private residence in North Caldwell, New Jersey.[93]
Crew[edit] Series creator and executive producer David Chase served as showrunner and head writer for the production of all six seasons of the show. He was deeply involved with the general production of every episode and is noted for being a very controlling, demanding, and specific producer.[26][32] He wrote or co-wrote between two and seven episodes per season and would oversee all the editing, consult with episode directors, give actors character motivation, approve casting choices and set designs, and do extensive but uncredited rewrites of episodes written by others.[58][68][69] Brad Grey served as executive producer alongside Chase but had no creative input on the show.[70] Many members of the creative team behind *The Sopranos* were handpicked by Chase, some being old friends and colleagues of his; others were selected after interviews conducted by producers of the show.[27][59] Many of the show's writers had worked in television before joining the writing staff of *The Sopranos*. The writing team and married couple Robin Green and Mitchell Burgess worked on the series as writers and producers from the first to the fifth season; they had previously worked with Chase on *Northern Exposure*.[71] Terence Winter joined the writing staff during the production of the second season and served as executive producer from season five onwards. He practiced law for two years before deciding to pursue a career as a screenwriter, and he caught the attention of Chase through writer Frank Renzulli.[33][72] Matthew Weiner served as staff writer and producer for the show's fifth and sixth seasons. He wrote a script for the series *Mad Men* in 2000 which was passed on to Chase, who was so impressed that he immediately offered Weiner a job as a writer for *The Sopranos*.[73] Cast members Michael Imperioli and Toni Kalem portray Christopher Moltisanti and Angie Bonpensiero respectively, and they also wrote episodes for the show. Imperioli wrote five episodes of seasons two through five, and Kalem wrote one episode of season five.[74][75] Other writers included Frank Renzulli, Todd A. Kessler (co-creator of *Damages*), writing team Diane Frolov and Andrew Schneider who worked with Chase on *Northern Exposure*, and Lawrence Konner, who co-created *Almost Grown* with Chase in 1988. In total, 20 writers or writing teams are credited with writing episodes of *The Sopranos*. Of these, Tim Van Patten and Maria Laurino receive a single story credit, and eight others are credited with writing a sole episode. The most prolific writers of the series were Chase (30 credited episodes, including story credits), Winter (25 episodes), Green and Burgess (22 episodes), Weiner (12 episodes), and Renzulli (9 episodes). Many of the directors had previously worked on television series and independent films.[59] The most frequent directors of the series were Tim Van Patten (20 episodes), John Patterson (13 episodes), Allen Coulter (12 episodes), and Alan Taylor (9 episodes), all of whom have a background in television.[59] Recurring cast members Steve Buscemi and Peter Bogdanovich also directed episodes of the series intermittently.[76][77] Chase directed the pilot episode and the series finale.[78] Both episodes were photographed by the show's original director of photography Alik Sakharov, who later alternated episodes with Phil Abraham.[79] The show's photography and directing is noted for its feature film quality.[80][81] This look was achieved by Chase collaborating with Sakharov. "From the pilot, we would sit down with the whole script and break the scenes down into shots. That's what you do with feature films."[79] Music[edit]Main article: Music on *The Sopranos* *The Sopranos* is noted for its eclectic music selections and has received considerable critical attention for its effective use of previously recorded songs.[82][83][84][85] Chase personally selected all of the show's music with producer Martin Bruestle and music editor Kathryn Dayak, sometimes also consulting Steven Van Zandt.[82] The music was usually selected once the production and editing of an episode was completed, but on occasion sequences were filmed to match preselected pieces of music.[68] The show's opening theme is "Woke Up This Morning" (Chosen One Mix), written by, remixed and performed by British band Alabama 3.[86] With few exceptions, a different song plays over the closing credits of each episode.[84] Many songs are repeated multiple times through an episode, such as "Living on a Thin Line" by The Kinks in the season three episode "University" and "Glad Tidings" by Van Morrison in the season five finale "All Due Respect".[84] Other songs are heard several times throughout the series. A notable example is "Con te partirò", performed by Italian singer Andrea Bocelli,[87] which plays several times in relation to the character of Carmela Soprano. While the show utilizes a wealth of previously recorded music, it is also notable for its lack of originally composed incidental music, compared with other television programs.[88] Two soundtrack albums containing music from the series have been released. The first, titled *The Sopranos: Music from the HBO Original Series*, was released in 1999. It contains selections from the show's first two seasons and reached No. 54 on the U.S. *Billboard* 200.[89][90] A second soundtrack compilation titled *The Sopranos – Peppers and Eggs: Music From The HBO Series*, was released in 2001. This double-disc album contains songs and selected dialogue from the show's first three seasons.[91] It reached No. 38 on the U.S. Billboard 200.[92] Sets and locations[edit]The Soprano house in North Caldwell, New Jersey (2006)Satriale's Pork Store (2007)Pizza Land (2021) The majority of the exterior scenes taking place in New Jersey and were filmed on location, with the majority of the interior shots filmed at Silvercup Studios in New York City, including most indoor shots of the Soprano residence, the back room of the strip club Bada Bing!, and Dr. Melfi's office.[58] The pork store was called Centanni's Meat Market in the pilot episode, an actual butchery in Elizabeth, New Jersey.[93] After the series was picked up by HBO, the producers leased a building with a storefront in Kearny, New Jersey[93] which served as the shooting location for exterior and interior scenes for the remainder of production; renamed Satriale's Pork Store.[93] After the series ended, the building was demolished.[94] The strip club Bada Bing! was owned and operated by Silvio Dante on the show, and is an actual strip club on Route 17 in Lodi, New Jersey.[93] Exteriors and interiors were shot on location except for the back room.[93] The club is called Satin Dolls and was an existing business before the show started.[95] The club continued to operate during the eight years that the show was filmed there, and a business arrangement was worked out with the owner.[95] Locations manager Mark Kamine recalls that the owner was "very gracious" as long as the shooting did not "conflict with his business time".[95] Scenes set at the restaurant Vesuvio, owned and operated in the series by character Artie Bucco, were filmed at a restaurant called Manolo's located in Elizabeth for the first episode. After the destruction of Vesuvio within the context of the series, Artie opened a new restaurant called Nuovo Vesuvio; exterior scenes set there were filmed at an Italian restaurant called Punta Dura located in Long Island City.[93] All the exterior and some interior shots of the Soprano residence were filmed on location at a private residence in North Caldwell, New Jersey.[93]
Conception[edit]David Chase, creator of *The Sopranos*, in 2015 David Chase had worked as a television writer and producer for more than 20 years before creating *The Sopranos*.[26][27] He had been employed as a staff writer or producer for several television series, including *Kolchak: The Night Stalker*, *Switch*, *The Rockford Files*, *I'll Fly Away*, and *Northern Exposure*.[28] He had also co-created the short-lived original series *Almost Grown* in 1988.[29][30] He made his television directorial debut in 1986 with the "Enough Rope for Two" episode of *Alfred Hitchcock Presents*. He also directed episodes of *Almost Grown* and *I'll Fly Away* in 1988 and 1992, respectively. In 1996, he wrote and directed the television film *The Rockford Files: Punishment and Crime*. He served as showrunner for *I'll Fly Away* and *Northern Exposure* in the 1990s. Chase won his first Emmy Award in 1978 for his work on *The Rockford Files* (shared with fellow producers) and his second for writing the 1980 television film *Off the Minnesota Strip*.[31][32] By 1996, he was a coveted showrunner.[33] I want to tell a story about this particular man. I want to tell the story about the reality of being a mobster—or what I perceive to be the reality of life in organized crime. They aren't shooting each other every day. They sit around eating baked ziti and betting and figuring out who owes who money. Occasionally, violence breaks out—more often than it does in the banking world, perhaps. —David Chase, creator and showrunner of *The Sopranos*[34] The story of *The Sopranos* was initially conceived as a feature film about "a mobster in therapy having problems with his mother".[29] Chase got some input from his manager Lloyd Braun and decided to adapt it into a television series.[29] He signed a development deal in 1995 with production company Brillstein-Grey and wrote the original pilot script.[27][31][35] He drew heavily from his personal life and his experiences growing up in New Jersey, and has stated that he tried to apply his own "family dynamic to mobsters".[34] For instance, the tumultuous relationship between series protagonist Tony Soprano and his mother Livia is partially based on Chase's relationship with his own mother.[34] He was also in psychotherapy at the time and modeled the character of Jennifer Melfi after his own psychiatrist.[36] Chase had been fascinated by organized crime and the mafia from an early age, witnessing such people growing up. He also was raised on classic gangster films such as *The Public Enemy* and the crime series *The Untouchables*. The series is partly inspired by the Richard Boiardo family, a prominent New Jersey organized crime family when Chase was growing up, and partly on New Jersey's DeCavalcante family.[37] He has mentioned American playwrights Arthur Miller and Tennessee Williams as influences on the show's writing, and Italian director Federico Fellini as an important influence on the show's cinematic style.[33][38][39] The series was named after high school friends of his.[26][36] I said to myself, this show is about a guy who's turning 40. He's inherited a business from his dad. He's trying to bring it into the modern age. He's got all the responsibilities that go along with that. He's got an overbearing mom that he's still trying to get out from under. Although he loves his wife, he's had an affair. He's got two teenage kids, and he's dealing with the realities of what that is. He's anxious; he's depressed; he starts to see a therapist because he's searching for the meaning of his own life. I thought: the only difference between him and everybody I know is he's the Don of New Jersey. —Chris Albrecht, president of HBO Original Programming, 1995–2002.[27][40] Chase and producer Brad Grey pitched *The Sopranos* to several networks; Fox showed interest but passed on it after Chase presented them the pilot script.[35] They eventually pitched the show to Chris Albrecht, president of HBO Original Programming, who decided to finance a pilot episode[27][31] which was shot in 1997.[41][42] Chase directed it himself. They finished the pilot and showed it to HBO executives, but the show was put on hold for several months.[27] During this time, Chase, who had experienced frustration for a long period with being unable to break out of the TV genre and into film,[27] considered asking HBO for additional funding to shoot 45 more minutes of footage and release *The Sopranos* as a feature film. In December 1997, HBO decided to produce the series and ordered 12 more episodes for a 13-episode season.[27][31][43] The show premiered on HBO on January 10, 1999, with the pilot, *The Sopranos*
Conception[edit]David Chase, creator of *The Sopranos*, in 2015 David Chase had worked as a television writer and producer for more than 20 years before creating *The Sopranos*.[26][27] He had been employed as a staff writer or producer for several television series, including *Kolchak: The Night Stalker*, *Switch*, *The Rockford Files*, *I'll Fly Away*, and *Northern Exposure*.[28] He had also co-created the short-lived original series *Almost Grown* in 1988.[29][30] He made his television directorial debut in 1986 with the "Enough Rope for Two" episode of *Alfred Hitchcock Presents*. He also directed episodes of *Almost Grown* and *I'll Fly Away* in 1988 and 1992, respectively. In 1996, he wrote and directed the television film *The Rockford Files: Punishment and Crime*. He served as showrunner for *I'll Fly Away* and *Northern Exposure* in the 1990s. Chase won his first Emmy Award in 1978 for his work on *The Rockford Files* (shared with fellow producers) and his second for writing the 1980 television film *Off the Minnesota Strip*.[31][32] By 1996, he was a coveted showrunner.[33] I want to tell a story about this particular man. I want to tell the story about the reality of being a mobster—or what I perceive to be the reality of life in organized crime. They aren't shooting each other every day. They sit around eating baked ziti and betting and figuring out who owes who money. Occasionally, violence breaks out—more often than it does in the banking world, perhaps. —David Chase, creator and showrunner of *The Sopranos*[34] The story of *The Sopranos* was initially conceived as a feature film about "a mobster in therapy having problems with his mother".[29] Chase got some input from his manager Lloyd Braun and decided to adapt it into a television series.[29] He signed a development deal in 1995 with production company Brillstein-Grey and wrote the original pilot script.[27][31][35] He drew heavily from his personal life and his experiences growing up in New Jersey, and has stated that he tried to apply his own "family dynamic to mobsters".[34] For instance, the tumultuous relationship between series protagonist Tony Soprano and his mother Livia is partially based on Chase's relationship with his own mother.[34] He was also in psychotherapy at the time and modeled the character of Jennifer Melfi after his own psychiatrist.[36] Chase had been fascinated by organized crime and the mafia from an early age, witnessing such people growing up. He also was raised on classic gangster films such as *The Public Enemy* and the crime series *The Untouchables*. The series is partly inspired by the Richard Boiardo family, a prominent New Jersey organized crime family when Chase was growing up, and partly on New Jersey's DeCavalcante family.[37] He has mentioned American playwrights Arthur Miller and Tennessee Williams as influences on the show's writing, and Italian director Federico Fellini as an important influence on the show's cinematic style.[33][38][39] The series was named after high school friends of his.[26][36] I said to myself, this show is about a guy who's turning 40. He's inherited a business from his dad. He's trying to bring it into the modern age. He's got all the responsibilities that go along with that. He's got an overbearing mom that he's still trying to get out from under. Although he loves his wife, he's had an affair. He's got two teenage kids, and he's dealing with the realities of what that is. He's anxious; he's depressed; he starts to see a therapist because he's searching for the meaning of his own life. I thought: the only difference between him and everybody I know is he's the Don of New Jersey. —Chris Albrecht, president of HBO Original Programming, 1995–2002.[27][40] Chase and producer Brad Grey pitched *The Sopranos* to several networks; Fox showed interest but passed on it after Chase presented them the pilot script.[35] They eventually pitched the show to Chris Albrecht, president of HBO Original Programming, who decided to finance a pilot episode[27][31] which was shot in 1997.[41][42] Chase directed it himself. They finished the pilot and showed it to HBO executives, but the show was put on hold for several months.[27] During this time, Chase, who had experienced frustration for a long period with being unable to break out of the TV genre and into film,[27] considered asking HBO for additional funding to shoot 45 more minutes of footage and release *The Sopranos* as a feature film. In December 1997, HBO decided to produce the series and ordered 12 more episodes for a 13-episode season.[27][31][43] The show premiered on HBO on January 10, 1999, with the pilot, *The Sopranos*
sopranos *The Sopranos* ***The Sopranos*** is an American crime drama television series created by David Chase. The series revolves around Tony Soprano (James Gandolfini), a New Jersey-based Italian-American mobster who struggles to balance his family life with his role as the leader of a criminal organization, which he reluctantly explores during therapy sessions with psychiatrist Jennifer Melfi (Lorraine Bracco). The series also features Tony's various family members, Mafia colleagues, and rivals in prominent roles—most notably his wife Carmela (Edie Falco) and his protégé and distant cousin Christopher Moltisanti (Michael Imperioli). Having been greenlit in 1997, the series was broadcast on HBO from January 10, 1999, to June 10, 2007, spanning six seasons and 86 episodes. Broadcast syndication followed in the U.S. and internationally.[5] *The Sopranos* was produced by HBO, Chase Films, and Brad Grey Television. It was primarily filmed at Silvercup Studios in New York City, with some on-location filming in New Jersey. The executive producers throughout the show's run were Chase, Brad Grey, Robin Green, Mitchell Burgess, Ilene S. Landress, Terence Winter, and Matthew Weiner. Widely regarded as one of the greatest and most influential television series of all time,[6][7][8][9][10][11] *The Sopranos* has been credited with kickstarting the Second Golden Age of Television.[12] The series won multiple awards, including Peabody Awards for its first two seasons, 21 Primetime Emmy Awards, and five Golden Globe Awards. It has been the subject of critical analysis, controversy, and parody; it has also spawned books,[13] a video game,[14] soundtrack albums, podcasts, and merchandise.[15] Several members of the show's cast and crew were largely unknown to the public when it began, but have since had successful careers.[16][17][18][19] In 2013, the Writers Guild of America named *The Sopranos* the best-written TV series of all time,[20] while *TV Guide* ranked it the best television series of all time.[21] In 2016 and 2022, the series came in first place on the *Rolling Stone* list of the 100 greatest TV shows of all time
i am happy every weekend especially fridays
i am tim i will follow back who follows me
The meme chain great migration. A natural wonder.
Good morning Asia
just listen without lyrics https://www.youtube.com/watch?v=O0f_Y1RPuPo
just listen without lyrics https://www.youtube.com/watch?v=O0f_Y1RPuPo
Parasite 🦠 Another old Polaroid shot in Brooklyn some years ago, and then physically manipulated months later. 60 #BONSAI, 25% Referral, and limited to 40!
Every 5 $bonsai collect is one step closer to freedom from the 9-5
Update on that: - Family Wallet: Beta not available on Android - Uniswap: feels much better than Metamask, but I still couldn't collect using Buttrfly - Rainbow: I used it on PC for a while and honestly didn't like it too much (strict support to other chains), I'll download it later to test it on mobile. But good news: I finally set my computer up and I'm back to collecting 🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱
If you missed this pivot to coming to the next one (only if you like having fun 😁)
me: I’ll got to sleep early tonight also me past my bedtime:
Every time I post something here I feel like not posting on IG at all even though none of my OG friends and fam will see whoops. Texas vibes
vartoli and you
We love u Jean! Also i wanna stream with you! Wen Jessy and Jean go live? Lmao
i loved the chaotic stream of the powerpuff girls from lens! @lens/jessyjeanne @lens/cmn__ @lens/iamlosi i recommend that you don't miss the next ones; together we'll make them get tattoos, dye their hair, and take a hit lol side note: the content was great but the platform didn't perform well on its mobile version; i had to watch the full 2hrs stream on my iphone because i was away from home, and believe me, it wasn't smooth sailing 😭
birde remzi içi var hayalet ibne
GMGMGM Finally, it can be measured! When I talk about content monetization in the WEB2 world people look at me in disbelief! I've been at @lensprotocol a few months and I've earned more from content creation than I've earned in a whole 20 years posting on IG, FB, X, LinkedIn. Sorry, but I just shrugged. Years of working like a slave to satiate the bellies of technological "growers"! Seduced by reaches and likes - today I feel liberated, refreshed! I feel the superhero Hiroshi has arrived and defeated the evil emperor Spon Tin Fy! Bravo @lens/lens team, @lens/ornaart @lens/hey @lens/orb @lens/kaira @lens/phaver @lens/tape and other teams! Thank you! Mirror 50% #LCCM
alex i will love you if you launch a zks token :) pls do it i love you alex
alex i will love you if you launch a zks token :) pls do it i love you alex
zks is coming :) i am tooo happy