Ziii (@thegods) • Hey

Hey Hi!

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Following: 165
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We need channels on Hey
Yesssss @lens/nstlgiaxpress is here
I had him wait outside a convenience store. When I came out after shopping, he had this smile on his face. コンビニの外で待っててもらったんだけど私が買い物終わって外出てきたらこの笑顔である (その笑顔であると思い込む母なのであった)
Should we suspend users on @lens/hey with random alphabets on their username and name?
Multidimensional gas pricing: https://vitalik.eth.limo/general/2024/05/09/multidim.html
gm PAPP!
Excited to share that pfpeople.studio is ready to onboard the next generation of creators on lens: PFPeople! I conceived of bringing my PFP to life nearly 18 months ago at ETH SF. Now, anyone who would like to (and is allowlisted*) can bring their PFP to life onchain as a PFPerson! Follow @lens/pfpeople and check out this demo. Lmk if you’d like to try it yourself! https://www.youtube.com/watch?v=oSOo87fK3uU
**115.99% APY** Just checked the $bonsai lp rewards and with incentives + trading fees its paying 115.99% APY $ 14k in liquidity earned 11k $bonsai and $ 75 of bonsai + matic after just one week, still two more months left on the current incentives program
boooots on leeeeeens 😂
first collab with @lens/louiec is in the books! collect this and help me encourage him to keep dropping more fire here on Lens. we got more tracks in the works… it’s a new day, baby! 😎🔥🌿
What is your mountain? My mountain is developer relations, and the peak I'm searching for is a world where my software and content can transform the internet of value. In order to scale this mountain it's inevitable to overcome the 90/90 rule of programming: "The first 90 percent of the code accounts for the first 90 percent of the development time. The remaining 10 percent of the code accounts for the other 90 percent of the development time." This is what it takes to reach of the summit of an uncharted programming task. There are no shortcuts, only lessons to be learned about how to be more prepared and agile in the future. Onward and upward. Collect on Orna: https://orna.art/link?mintGuid=8deaff99-732a-4726-8a2b-16ad801d26bc
@club/prompt : fashion photography,beautiful model with met gala 2024 best dress.
Rainy day walk Meeting new creatures
Gm Frens, as we’re gearing up for a major announcement, our systems flagged that some malicious actors and bots have been exploiting the Phaver KYC by Galxe and the Kleoverse Github Passport to unfairly gain levels in the app. To ensure fairness and to enhance our bot-protection, these two will no longer earn Cred + Points. Since real users are also impacted by the change, we’re compensating by enhancing the value of Anima NFT. Now, each Anima will earn 5 Cred, up from the previous 3. In order to continue receiving Cred for Anima, please redo the verification every 30 days via the Cred Dashboard. The Verification works both on mobile and desktop. For further details about Anima, visit our guide: https://phaver.gitbook.io/phaver-help-center/phaver-points-and-cred-score/anima-proof-of-personhood Rest assured, bots will not receive Phaver tokens. Thank you for your cooperation frens ❤️
It’s #phairdrop time! 🪂🪂🦄 Introducing Season 1 criteria for Phavercoin $SOCIAL with up to 1:1 Points to Tokens ratio. Check your allocation at www.phairdrop.com and learn how to still earn before the snapshot. 📸 👀 Read below for more updates👇 Today we launched the awaited Level 5 at 3000 Cred. 🎉 To qualify for the 1:1 phairdrop, users need either L5, Creator badge or a Phaver-Up NFT. Phaver-Up holders automatically qualify for same tier as Level 5 in the Phairdrop if one is connected during the snapshot. Each Phaver-Up now earns 300 Points and 50 Cred daily. More perks to come! We’ve also updated posting rewards: Phaves from all your daily posts are now combined for one reward, increasing daily winners.🔥 Remember that $SOCIAL is not yet available to buy or trade anywhere and anyone requesting you to connect a wallet for airdrop purposes is a scammer. Stay safe and beware of scam links. Always verify through our official channels. 🫡
I just voted "For" on "Pilot Phase: M&A for Arbitrum DAO" https://snapshot.org/#/arbitrumfoundation.eth/proposal/0xc82f0b696e51e721a64a89af66654ea9e313ed29f4de0ed23e338418333fd61e #SnapshotVote
I just voted "YAE" on "[ARFC] Renewal of Aave Guardian - 2024 " https://snapshot.org/#/aave.eth/proposal/0x51cde0e183bd250839ef1fc4feb04a592263f848d44d1f67618504f98fa80865 #SnapshotVote
I just voted "In Favor" on "RFP-34: Onboard weETH on Ethereum & Arbitrum" https://snapshot.org/#/radiantcapital.eth/proposal/0xeb16fa922ca89aa449ac1b71f487b57e17b64b0514c24843335c252302ae094d #SnapshotVote
Good morning!! Feeling some pink vibes today 🩷🩷
The art seeing on Lens is absolutely fab! I feel we need a gallery feature soon
_MISTEAK 🥩 edition of 5 1200x1500 5,555 $BONSAI 5d poetic shirt of the century. a NY snap for me not often minted to the blockchain. a metaphoric present. @lens/lens @lens/orb @lens/hey @lens/ornaart @lens/buttrfly @lens/pinsta @lens/phaver @lens/bonsai @lens/creators @lens/photographers #gramsdidit
Cross platform Lens x Farcaster audio spaces are coming soon to @buttrfly 🎙️✨👀 I was testing it earlier today with Pol from Converse! Comment below to be added to the test group…
Is that a mountain, or a wave? 📍Somewhere on Miller's Planet 1/1
💖 It's not about what YOU do, but how much LOVE your profile gets! Check out your score and flex how fab you are on Hey!
_TR3NITY 2023 1/1 3200x4000 63,000 $BONSAI 24h follow the white rabbit but don’t get trapped in prism. originally part of my #9DAYSOFNIHON series, now collectible. @lens/lens @lens/orb @lens/hey @lens/ornaart @lens/buttrfly @lens/pinsta @lens/phaver @lens/bonsai @lens/creators @lens/photographers #gramsdidit
🎉 Exciting news! We've just launched a native tipping feature on @lens/hey. Now you can show your support directly to your favorite creators with just a tap 💰.
Lovely track
I just voted "For" on "Clipper - LTIPP [Post Council Feedback]" https://snapshot.org/#/arbitrumfoundation.eth/proposal/0x64a5f290a74d1c1cfc13fb00b5dff774dc9410b791d69033c7fdd941b76e8767 #SnapshotVote
Introducing the **Hey Score**! 🌟 A new way to shine on @lens/hey! Your interactions, posts, and secret sauce now brew up your unique score. Curious about where you stand? Dive in and discover your Hey Score today! Drop your Hey score below 😉
2nd best performing NFT collection on Polygon & Magic Eden, 450k traded with 850 MATIC floor, all the 2,000 Phaver-Ups are now minted and here to stay! 💜🦄🆙 Read below the latest updates to NFTs on Phaver Cred and stay tuned for more utility for Phaver-Ups 👀👇 While Cred stays the same, Points earned from NFTs have now been adjusted to: 🔹Phaver-Ups having highest relative NFT yield on Phaver 💎 🔹Ensure Points earned so far have a higher value 🪂 🔹Reduce farming and move value to Phaving as best way to get Point rewards 📈 How to earn Points through Phaving? 🤔 Leveling up with Cred gives you extra Phaves each day and giving your Phaves to good posts will reward you with even more Points than the previous yield while making Phaver better and rewarding creators! 🔥 ⚡️ Let's Keep Phavering! ⚡️
🔥😮💨 This text might just be the clearest explanation yet of where my curatorial partner Vienna and I stand in our Technostalgia research and curatorial project. Coming from an academic background, we’ve tried to provide a balanced narrative: not too scholarly, yet still substantial. 🧠 We’ve only just begun, with plenty of exciting developments already in the pipeline. 🚀 A huge thank you to ONBD, SuperRare, Zora, Massage Magazine, and Outland for the support and assistance they’ve provided so far. TYSM to all the artists we’ve curated and those we will in the future — <3 🔥 Visuals: Nicole Ruggiero x Inès Alpha, Emi Kusano, Raquel Meyers, Kyt, and polygon1993. Please read and collect if you want to help Vienna and me to have a website for this project. Merci x 1000 🙏 🖤 @lens/lens @lens/orb @lens/mariapaula ————- ♡ ༘ ⋆ CURATING TECHNOSTALGIA BEYOND AESTHETICS ♡ ༘ ⋆ Vienna Kim & me, April 2024 ( •ॢᴗ•ॢ⋈) We e-met during the bull run of 2022 while freelancing for SuperRare. Very quickly, we found we had a shared interest for early web aesthetics, Animal Crossing memes, Y2K subcultures, and translucent collectible electronics. We wanted to investigate what it was, exactly, that made such content so appealing to us, working off a hunch that we surely weren’t the only ones to feel this way, and realized that the common denominator in the media and culture we loved was that each of them exuded the hazy yet somehow comforting allure of technostalgia. These observations and passions eventually fueled the creation of LAN Party, our collaborative curatorial project that, in its first arc, aims to critically explore the concept of technostalgia within the Web3 space. Whilst we love the sentimentality and the aesthetics of artworks that explore technostalgia, we’re not just here for the vibes. We aim for this focus to serve as a unique lens through which we examine the pulse of contemporary digital culture, drawing on our personal observations, existing research, and what artists are currently producing. Our goal is to shed light on the newly found adoration for technostalgia in Web3, delineating its complexities and measuring its influence on the present and future cultural landscape. We have already explored the aesthetic practices and the tradition of collecting and curating within Web3, positioning it as an extension of the historical and widespread human pursuit of gathering. We’ve also observed that the influence of rapid technological progress has resulted in a resurgence of technostalgic visuals and art forms, such as ASCII, pixel or low-poly art, signaling a shift away from powerful AI-generated or CGI creations. Through these reflections, we aim to explore how technostalgia is shaping our future, especially as Web3 underscores its pivotal role in today’s digital cultural landscape. Here are some of our thoughts: UNDERSTANDING TECHNOSTALGIA ☆ﾟ.*･｡ﾟ Technostalgia is an emotional reaction–often sentimental, close to a longing–that is most commonly associated with technology from the 1980s - 2000s. It pines for the machines and the internet we fell for beautiful yet flawed, with a broken design that felt at once frustrating and serendipitous. This specific strain of nostalgia has the power to act as a retro-tech time machine, whisking us back to the era of chunky pixels, ‘90s web interfaces, and low-poly graphics. In the Web3 space, this blast from the past is particularly relevant. On top of the allure of the aesthetic layer, technostalgia in Web3 also reflects a yearning for the original values of the Internet: decentralization, transparency, and democratization. This sentiment influences the development and perception of the Web3 ecosystem, driving a desire to recapture the possibilities and freedom associated with the ‘Wild West’ days of the internet, the read-only web, or Web 1.0. Technostalgia has taken on new prominence in response to the dizzying pace of technological advancement, especially with the palpable tension and anxiety society has developed around surveillance capitalism, data protection, and AI proliferation. As new technologies and systems quickly replace old ones, we often find ourselves missing the tech we used to play with in the '90s or '00s. This could be anything from the sound of a dial-up modem connecting to the network, the feel of a GameBoy or Tamagotchi in our hands, the Uh Oh! of ICQ or the sight of the Windows 95 startup screen. While these memories evoke an attraction for the simplicity and beauty of past technologies, they also present a paradox: whilst our society seems all-in on the advancements of the present, we grapple with the allure of the less efficient, clunky, buggy, and yet emotionally resonant tech of yesteryears, highlighting the slippery (and very human) state of alternating between progress and sentimentality. TECHNOSTALGIA IN WEB3 ☆ﾟ.*･｡ﾟ Web3 is a new phase of the internet that is built on blockchains. It represents a shift from the current centralized model controlled by a handful of corporations to a decentralized model where use and access are controlled by community-run networks. The evolution of the internet can be described in three stages. Web1 was the first draft of the internet which proliferated in the 1990s and early 2000s, where people mostly used the internet to read web pages and chat. Web2 came about in the mid-2000s, with the emergence of social media platforms like Myspace, Facebook, and Twitter, empowering users to create their own content. Web3 is the next phase, where users not only read and write content but also own it. In the context of Web3, technostalgia takes on new significance, as it allows us to appreciate the journey of the internet from its inception to its current state, and now towards Web3 in full effect. Understanding the evolution of the internet from its origin to the present day is crucial because it provides us with a roadmap of previous innovations and challenges, informing our decisions and strategies as we build a more decentralized, transparent, and user-empowered digital world. This historical perspective is key to ensuring that Web3 not only replicates the successes of previous iterations but also learns from their shortcomings, notably utilizing the blockchain to enable a more thoughtful and inclusive future for the internet. The result: forging a path that honors the past while boldly innovating for tomorrow. TECHNOSTALGIA AND DIGITAL ART ☆ﾟ.*･｡ﾟ In the context of digital art, technostalgia acts as a theme, sentiment, and lens for critique. This can take the form of adopting retro tech aesthetics such as pixel art or low-poly 3D renders, to reappropriating and/or making use of obsolete technologies. We can divide these approaches largely into two categories: The Sentimental and The Critical. _1. The Sentimental_ Artists and artworks that adopt The Sentimental approach to technostalgia often reappropriate the aesthetics of retro, 90s, or Y2K technologies and present them in a way that evokes a strong emotional reaction in the viewer as they relate what they see in the work with their own experiences and memories of these technologies. Our first online exhibition on SuperRare, The Crypto Pawnshop, explored the sentimental approach to technostalgia in depth, developing the visual imaginary of a fictional ‘crypto pawnshop’ that stocked a series of gadgets and gizmos that upon first view appeared to be reminiscent of the real-life objects we used to own, and yet they are purely speculative, often exhibiting a broken or non-functional design. The dissociation of these imaginary objects from that which existed concretely demonstrates the anesthetizing effect of technostalgia; our flawed memories often over-apply sentimental or aesthetic value to these objects which, in reality, would often glitch or fail. By leaning into this dissociation, these artworks dive wholly into the purely ‘sentimental’ value of Technostalgia, favoring emotional reminiscences over factual verity. Some artists that have adopted the sentimental approach to technostalgia include Emi Kusano, Kyt, POLYGON1993, and Nicole Ruggiero, to name a few. _2. The Critical_ The Critical approach to exploring technostalgia takes on radically different methodologies to that of The Sentimental. Often, these artists directly employ obsolete technological tools (for example, older models of computers such as the Commodore 64), to analyze our society’s current relationship with outdated tech. These artists often emphasize the importance of retaining a critical stance when considering our relationship with technology and the speed at which it is developing, and often also treat environmental concerns, such as what happens to all the technological waste that accumulates once these machines are at their term’s end. Notably, artist Dev Harlan stakes his claim within the ‘Critical’ camp in his essay “Notes on Retrofuturism” for Right Click Save magazine, declaring: “Nostalgia is a longing for an imagined past which allows one to gloss over unpleasant or undesirable histories to cope with the present. In this way, technostalgia privileges an imagined history of technology and an anesthetized view of that history. But sentimentalism is the opposite of criticality.” He goes on to describe his fascination with collecting discarded electronics, with an impulse that was initially motivated by technostalgia but quickly evolved into critiquing the wastefulness of the tech sector. He gathered and reappropriated hundreds of outdated models of computers, motivated by the motto “obsolescence is a lack of imagination”, to create gaming lounges or digital art installations to prolong the life of these machines that had been discarded for newer, shinier models. Raquel Meyers is another artist who uses obsolete technologies, such as a Commodore 64 computer, to create her digital artworks. The use of older models circumscribes the artist’s visual output in the style of computer artworks from the 1980s, automatically transcribing onto them a technostalgic aesthetic. And yet, the artist does not pander to sentimentality in her work, instead opting to make use of obsolete technologies to highlight urgent contemporary concerns. For example, in her work Cuando la casa se quema, la obsolescencia es resistencia [When the House Burns Down, Obsolescence is Resistance], which we curated in our second exhibition on Zora, TEXTSCAPE: ASCII Art, Textmode & its Derivatives, the artist creates a scrolling narrative of a house burning down, and the ecological and societal effects this has upon its surrounding community. The work is, of course, a metaphor for our current climate crisis, but the work is also self-reflexive in that it uses an object of obsolescence as an act of resistance (against technocapitalism? The effects of e-waste on climate change?), a concept that is also reflected in the title of the work. CURATING TECHNOSTALGIA ☆ﾟ.*･｡ﾟ These two distinct poles of technostalgic approaches in digital art inform the way we can curate such artworks. Indeed, curating technostalgia in 2024 can be a double-edged sword in a couple of ways. For example, presenting works of art that fall into ‘The Sentimental’ camp may appear diametrically opposed to those in ‘The Critical’ camp, and yet both are crucial as a means of holding up a mirror to how cultures online, and more specifically Web3, respond to the phenomenon of technostalgia. Both camps co-exist, and so we aim for the works that we curate to also demonstrate this without favoring one approach over the other. In addition, whilst curating technostalgia may serve as a digital conservation effort by capturing the essence of technological evolution, it also risks idealizing outdated technologies, potentially hindering innovation. There’s a delicate balance between valuing our digital heritage and fostering a forward-looking mindset in the ever-evolving tech landscape. After all, very little good comes from dwelling on the past. Moreover, the role of curation in shaping the future of technostalgia cannot be overstated. As our lives become ever more digitized, our experiences and memories are ever more encapsulated in digital formats. Curating these digital artifacts is akin to creating a time capsule that allows future generations to access and understand the digital trends of our era. It’s a way of preserving the ‘digital DNA’ of our society, which includes not only the technologies themselves but also the cultural and emotional contexts in which they exist. It has been well-documented that the concept of curation has transcended the confines of trad museum spaces (for better or for worse). When it comes to digital artworks and artifacts, curatorial practices become a social process that encompasses the selection, interpretation, and negotiation of a wide array of embodied knowledge. This shift is particularly pronounced in the Web3 space, where the zones between consumer, creator, and curator are increasingly fluid. Within this nuanced landscape, curation plays a crucial role in developing the narrative of technostalgia. It’s about constructing a story that is linked with collective memory while opening a dialogue about the way tech runs through our society. We, as curators in the Web3 space, have the unique opportunity to influence how technostalgia is perceived and understood, ensuring that it remains a relevant and insightful aspect of our cultural discourse. v&b
In memecoins you can see social currency, sentiment and culture reflected in an order book in real time, in some way lens is a cabal right now, and our memecoins can work as a trojan horse on other platforms to bring more and more people here, echo chambers are not good, expansion is the name of conquer, you are not aware about the power you have, most of the content that pump a project to valhala on X for example are made by regular ppl, but here we have a looooot of artists making amazing content/art based on our memes, so go and share your bonsai, chaos, fries, 00, fish, sun, electric or whatever art on other platforms too, just share!! You can still sell them here, expand our culture & they will come naturally, your role is meaningful, remember that the power of art is that it can create worlds🔥
Lens has been a space for UFO since day one in 2022! Now we're here for Season 4. UFO is going to air with an onchain radio station built on Optimism, Base and Zora. Much news is arriving. You're invited to join us. Tune in.
I need
**✻ @lens/gitcoin Grants Round 20 has just kicked off! ✻** This is more than just a funding round; it's a chance to come together and push the boundaries of what we can achieve in open source. We'd absolutely love for you to be part of this adventure. Every little bit you contribute helps fuel #hey and sparks real change. 💪 Checkout Here: https://hey.xyz/gitcoin
How Lens could on-board next 1M users? Throw any ideas below (no idea is bad)
You feel satisfied when you hear good drum and bass on Lens
_TENET 2014 1/1 3200x4000 69,696.9 $BONSAI 🛹 or ☠️ 24h which side is right side is up is wrong side down 🌴 @lens/lens @lens/orb @lens/hey @lens/ornaart @lens/buttrfly @lens/pinsta @lens/phaver @lens/bonsai @lens/creators @lens/photographers #gramsdidit
🎉 Winners of our third Phaver-Up Auction 🎉 Huge congrats to the top 20 highest bidders! - Your Phaver-Ups have shipped 💜🦄🆙 Super Post raffle winners: teteteharuharu, imagekunst, masumfirari, TheSparrow, kenken7 Thank you frens who joined the auctions! 👏 📣 Coming Up: Phaver-Up: Genesis Week 3 free mint 4pm UTC exclusively on Magic Eden: https://magiceden.io/launchpad/polygon/phaver_up_genesis_edition Stay safe and only mint through the above link! Always verify through our official channels. 🫡
📸 PHAVER-UP: Final Snapshot 🦄 20k Phaver users active with Moca IDs! 🔥🪐 We raffled 1000 WL slots: 750 for Moca ID criteria*, 200 via OKX partnership and 50 for connecting a Mocaverse NFT. Mint Details on Magic Eden: - 24th April, 4pm UTC - Collection Link & qualified wallets⤵️ *HOLD UP OGs! 750 including 100 oldest Phaver Profiles by date of joining and 100 Phaver Profiles with a Frens badge. Each connected asset to Cred granted an extra raffle ticket. 💜 Qualified Wallets👇 https://docs.google.com/spreadsheets/d/1LC-Yjj6N6HKCKcLGsLDDWN3rkXrit0Ywsp9H6o8FOxY/edit?usp=sharing - Users push-notified ✔️ Collection Link👇 https://magiceden.io/launchpad/polygon/phaver_up_genesis_edition Stay cautious of scam links. Always verify through our official channels.
I just voted "Yes" on "Stargate V2" https://snapshot.org/#/stgdao.eth/proposal/0x1c55529c8df43cc97591696a135a7b82af27fb8c58a09cf0bdc80aa29310d27d #SnapshotVote
Mint bluepaper https://zora.co/collect/base:0x3ccde5e4157fb97906ef6d957d8a029a5cc83a58/2?referrer=0x70F15c3dA5F0496Ff9c2256490126966653445FA
Idk what hits harder.. the mint notification or the collector repost/quote post proudly proclaiming their new prize 🏆😎
Mint National Parks Commemorative Coin https://zora.co/collect/base:0xca484d550b0e72bc8836df2a41b0c1798bed873e/1?referrer=0x70F15c3dA5F0496Ff9c2256490126966653445FA
I’m also open to offers on this down to 212,213 $BONSAI (which has a meaning of its own). I chose the price I did because of the GPS coordinates but if there was a feature to allow offers then this number above would be the minimum, for what it’s worth, if the current price is out of range for someone that’s interested. I’ll gladly re-post with the agreed upon new price if you contact me 🙏 but with the history of the piece, the work that went into it, sand in camera gear, missing out on big gigs while on an unpaid personal project trip, the regard I hold it in, etc. I cannot let it go for less than that as a 1/1, or as an edition. Thanks for understanding 🫂
It's Sunday morning, "springtime" in Germany with a chilly 2 degrees, wind, rain, and I believe even hail. Almost as if the weather yearned to remind me of winter's gloom one last time before swinging into summer. So, I woke up with my mind in Barcelona instead. GM   1/1
If there would be tipping in NFTs, what I would do is I would wrap each @lens/cigawrettepacks into 20 NFTs and would tip in each ciggies. I don't smoke but what I like about ciggies is that most likely no brand can work with them because of the tobacco art so becoming a sellout, or lame factor is quite low risk.
_2142 2015 1/1 4000x3200 324,958 $BONSAI 📍 24h into the storm and around the bend, unsure what’d be waiting at the end. the beginning of something fresh and new, but not without question of what she’d do. most go to the desert for peace. we went for mayhem. all warnings unheeded. brutal wind potential with no cover. micro bullets pounding exposed skin from every direction. pouring grains out of clothing for 3 days. sacrificing all camera equipment for the shot. a scene hollywood can’t make without a mad max budget. likely the most non-recreatable image i’ve ever formed. all for a project from the heart with a dear friend who rented a van & covered hotels. 0 pay. of course this is how it goes most of the time for freelance creatives working on the “cool” stuff. 2,142 miles of a loop journey all at the beginning of a new chapter in my life wading into unfamiliar waters with a relationship but inspired & fired up creatively while exploring the craziest places on earth that were once under the ocean during the dinosaur age. watch the short film here, called FORBIDDEN STRUCTURES by DADAYEARZERO: https://vimeo.com/539991920 (( 32°49'58.0"N are half of the coordinates, hence the price of quite possibly my grailest of grails in the catalogue as of today. i won’t give away the longitude :)) i would also like to print this on canvas for whoever collects so please DM me! 🙏 @lens/lens @lens/orb @lens/hey @lens/ornaart @lens/buttrfly @lens/pinsta @lens/phaver @lens/bonsai @lens/creators @lens/photographers #GRAMSDIDIT
If you are new to Lens, what helps to get around: - Introduce yourself (make the post collectible with Bonsai, people want to support you) - Follow people you like - Create content or just lurk around, up to you - Tip content that you like - If you receive tips or revenue, consider using it to support other users Circular love on Lens
It's the final countdown: Less than 24h for Week 3 snapshot 🔥 Phaver-Up Auction still Open: 📅 Bid by April 23, 4pm UTC to win a Genesis NFT 🏆 Top 20 bids win 🦄 🆙 👀 Check the current top 20 Leaderboard ⤵️ Time to bid if you haven't yet, frens! 💜 📍 Phaver-Up Collection tradeable exclusively on Magic Eden: https://magiceden.io/collections/polygon/0x86d1ff5a19854865c2a9b3fc22ae49f9b370c3c0 📣 Phaver-Up: Genesis Week 3 free mint, April 24, 4pm UTC on Magic Eden 💜🦄 ✔️ 1000 whitelist slots for 300 NFTs - Complete Moca tasks: https://phaver.gitbook.io/phaver-help-center/phaver-up-nfts/what-is-a-phaver-up-nft for a chance to qualify! 🫡 Stay safe & only mint through the official link: https://magiceden.io/launchpad/polygon/phaver_up_genesis_edition