Eugene_Classic ◱ ◱ (@eugene_classic) • Hey
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- "**Child in Time**" is a song by English rock band Deep Purple, taken from their fourth studio album, *Deep Purple in Rock*, released in mid-1970. The track is loosely inspired by the Cold War and runs over ten minutes.
***Deep Purple in Rock*** is the fourth studio album by Deep Purple, released on 5 June 1970. It was the first studio album recorded by the Mark II line-up of Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice.
Work on *In Rock* began shortly after Gillan and Glover joined the band in June 1969, with rehearsals at Hanwell Community Centre. The music was intended to be loud and heavy, and accurately represent the group's live show. Recording took place at various studios around London in between extensive touring, during which time songs and arrangements were honed into shape.
*In Rock* was the band's breakthrough album in Europe and peaked at No. 4 in the UK, remaining in the charts for over a year. By contrast, it under-performed in the US, where the band's Mark I albums had been more successful. An accompanying single, "Black Night" reached No. 2 in the UK, becoming their highest charting single there. The album has continued to attract critical praise as a key early example of the hard rock and heavy metal genres.
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***Safe In the Steep Cliffs*** is the second studio album by Emancipator, released 19 January 2010. 1st track on it - Greenland.
**Douglas Appling** (born May 27, 1987), better known by his stage name, **Emancipator**, is an American producer and DJ based in Portland, Oregon, United States. He launched his music career by self-releasing his debut album, *Soon It Will Be Cold Enough*, in 2006 while he was a college student. He has released eight studio albums (two of which are collaboration albums), two live albums, five EPs and three remix collections. He also founded his own record label, Loci Records, in 2012 and formed a live band called the Emancipator Ensemble in 2013.
- **Douglas Appling** (born May 27, 1987), better known by his stage name, **Emancipator**, is an American producer and DJ based in Portland, Oregon, United States. He launched his music career by self-releasing his debut album, *Soon It Will Be Cold Enough*, in 2006 while he was a college student. He has released eight studio albums (two of which are collaboration albums), two live albums, five EPs and three remix collections. He also founded his own record label, Loci Records, in 2012 and formed a live band called the Emancipator Ensemble in 2013.
- **Douglas Appling** (born May 27, 1987), better known by his stage name, **Emancipator**, is an American producer and DJ based in Portland, Oregon, United States. He launched his music career by self-releasing his debut album, *Soon It Will Be Cold Enough*, in 2006 while he was a college student. He has released eight studio albums (two of which are collaboration albums), two live albums, five EPs and three remix collections. He also founded his own record label, Loci Records, in 2012 and formed a live band called the Emancipator Ensemble in 2013.
- **Douglas Appling** (born May 27, 1987), better known by his stage name, **Emancipator**, is an American producer and DJ based in Portland, Oregon, United States. He launched his music career by self-releasing his debut album, *Soon It Will Be Cold Enough*, in 2006 while he was a college student. He has released eight studio albums (two of which are collaboration albums), two live albums, five EPs and three remix collections. He also founded his own record label, Loci Records, in 2012 and formed a live band called the Emancipator Ensemble in 2013.
- **"Under the Bridge"** is a song by American rock band Red Hot Chili Peppers and the eleventh track on their fifth studio album, *Blood Sugar Sex Magik* (1991). Vocalist Anthony Kiedis wrote the lyrics while reflecting on loneliness and the struggles of being clean from drugs, and almost did not share it with the band. Released in March 1992, "Under the Bridge" was praised by critics and fans for its emotional weight. The song was a commercial success and the band's highest-charting single, peaking at number 2 on the *Billboard* Hot 100 and certified platinum. It was also a success in other countries, mostly charting within the top 10.
"Under the Bridge" helped the Red Hot Chili Peppers enter the mainstream. David Fricke of *Rolling Stone* said that the song "unexpectedly drop-kicked the band into the Top 10". The song has become an inspiration to other artists, and remains a seminal component of the alternative rock movement of the early and mid-1990s. In April 1998, English girl group All Saints released a cover of "Under the Bridge" that topped the UK Singles Chart for two weeks in May 1998.
- "**The Sound of Silence**," originally "**The Sounds of Silence**," is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. The duo's studio audition of the song led to a record deal with Columbia Records, and the original acoustic version was recorded in March 1964 at Columbia Studios in New York City for their debut album, *Wednesday Morning, 3 A.M.* Released on October 19, 1964, the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University.
In 1965, the song began to attract airplay at radio stations in Boston and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The remix hit No. 1 on the *Billboard* Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled *Sounds of Silence* in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. Later, it was featured in the 1967 film *The Graduate* and was included on the film's soundtrack album. It was additionally released on the *Mrs. Robinson* EP in 1968, along with three other songs from the film: "Mrs. Robinson," "April Come She Will" and "Scarborough Fair/Canticle."
"The Sound of Silence" was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being "culturally, historically, or aesthetically important" in 2012, along with the rest of the *Sounds of Silence* album. Since its release, the song was included in later compilations, beginning with the 1972 compilation album *Simon and Garfunkel's Greatest Hits*.
- "**Send Me an Angel**" is a song by the German rock band Scorpions, recorded for their 11th studio album, *Crazy World* (1990). The song was composed by Rudolf Schenker, written by Klaus Meine, and produced by Keith Olsen and the band. It was released as the album's fourth and final single in September 1991. Along with "Wind of Change", the song became the album's signature track, reaching number 44 on *Billboard* Hot 100 Chart on 25 January 1992, number 8 on the Mainstream Rock Chart[1] on 19 October 1991, and high chart positions in many European countries.
An orchestral version of the song was recorded for the 2000 orchestral album *Moment of Glory* that features vocals split with Italian singer Zucchero. An acoustic version of the song was also recorded for the 2001 acoustic album *Acoustica*.
- "**Time to Pretend**" is a song by the American indie band MGMT, released as the lead single from their debut studio album *Oracular Spectacular* (2007) on March 3, 2008. An earlier version had been released on their *Time to Pretend* EP. The single was released as a 7" and CD single featuring the B-sides "Weekend Wars" (BBC Radio 1 Session) and "Metanoia", respectively. In early 2009, the song was re-released in the UK. The song was ranked at number 493 on *Rolling Stone*'s list of "The 500 Greatest Songs of All Time", and its parent album, *Oracular Spectacular*, was ranked at number 494 on the publication's additional list of "The 500 Greatest Albums of All Time". The song was also ranked at number 90 on *NME*'s list of The 500 Greatest Songs of All Time.
- "**Bohemian Rhapsody**" is a song by the British rock band Queen, released as the lead single from their fourth album, *A Night at the Opera* (1975). Written by lead singer Freddie Mercury, the song is a six-minute suite, notable for its lack of a refraining chorus and consisting of several sections: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. It is one of the few progressive rock songs of the 1970s to achieve widespread commercial success and appeal to a mainstream audience.
Mercury referred to "Bohemian Rhapsody" as a "mock opera" that resulted from the combination of three songs he had written. It was recorded by Queen and co-producer Roy Thomas Baker at five studios between August and September 1975. Due to recording logistics of the era, the band had to bounce the tracks across eight generations of 24-track tape, meaning that they required nearly 200 tracks for overdubs. The song parodies elements of opera with bombastic choruses, sarcastic recitative, and distorted Italian operatic phrases. Lyrical references include Scaramouche, the fandango, Galileo Galilei, Figaro, and Beelzebub, with cries of "*Bismillah*!"
Although critical reaction was initially mixed, "Bohemian Rhapsody" became regarded as one of the greatest rock songs of all time and is often regarded as the band's signature song. The promotional video is credited with furthering the development of the music video medium. It has appeared in numerous polls of the greatest songs in popular music, including a ranking at number 17 on *Rolling Stone*'s list of "the 500 Greatest Songs of All Time. A *Rolling Stone* readers' poll ranked Mercury's vocal performance as the greatest in rock history.
"Bohemian Rhapsody" topped the UK Singles Chart for nine weeks (plus another five weeks following Mercury's death in 1991) and remains the UK's third best-selling single of all time. It also topped the charts in countries including Canada, Australia, New Zealand, Ireland, and the Netherlands, and sold over six million copies worldwide. In the United States, the song peaked at number nine in 1976, but reached a new peak of number two after appearing in the 1992 film *Wayne's World*. In 2004, the song was inducted into the Grammy Hall of Fame. Following the release of the 2018 biopic *Bohemian Rhapsody*, it became the most streamed song from the 20th century. In 2021, it was certified Diamond in the US for combined digital sales and streams equal to 10 million units.
- "**Twilight**" is a song written by Jeff Lynne for English rock band Electric Light Orchestra (ELO), originally released on their 1981 album *Time*. The lyrics tell of a man who falls asleep while in a twilight state, where he imagines everything in his life that is going to happen to him. They contribute to the album's overarching theme of time travel. ELO writer Barry Delve says that "a cacophony of sound effects...transport us chaotically to the year 2095" to start the album and that the song "doesn't stop or pause for at least 2 minutes," making the song "one of the most exciting experiences ELO ever gave you." Delve suggests that the piano break is influenced by Sergei Rachmaninoff. *Billboard* said that it was "more intricate" than most ELO songs and that "a grand orchestral build coincides with swirling vocal harmonies for great effect." *Record World* said that it has "roller-coaster surges of angelic voices and awesome strings." *Messenger-Press* critic Steve Wosahla said that "Twilight" "indicates that ELO may never get away from Jeff Lynne's accessibly spacey pop pizzaz." *Cincinnati Post* critic Jerry Stein said that it "is a pounding tune but still has that soaring arrangement favored by the Beatles in so many of their uptempo songs.
It was the second single released from the album, peaking at number 30 on the UK Singles Chart and number 38 on the US *Billboard* Hot 100. Delve explains the single's relatively poor performance despite his thinking that it is "A-grade ELO" saying that "with *Time* conceived and realized as a running narrative rather than a series of unconnected songs heard in isolation, many of the lyrics are quite esoteric with their talk of such things as time transporters and baffling references to the 1980s as if they were in the distant past which would have made less sense when heard out of context on top-40 radio stations."
- "**A Touch of Evil**" is a song by the English heavy metal band Judas Priest, from their 1990 album *Painkiller*. The record was released as the second single from the album via Columbia Records label.
While initially thought to be about substance abuse and how it can control a person, the is instead about a person (the narrator) falling in love with another who will clearly cause him more pain. However, the narrator is blinded by his love and is simply unable to resist his lover’s “bite.”
This is also the only song on the album Painkiller to use synthesizers.
- A classic Judas Priest's “monster” track, “**Night Crawler**” describes a killing beast that comes into town one stormy night and kills and eats all the inhabitants.
This track does a brilliant job of creating a suspenseful atmosphere.
- "**Painkiller**" is a song by English heavy metal band Judas Priest, released in 1990; it was later released as a single on Columbia Records. It is off the band's twelfth album of the same name as the opening track*.* The lyrics tell the story of the Painkiller, the character featured on the cover of the album, who is a cyborg superhero who saves mankind from destruction.
The song has since-then remained one of the band's signature songs.
- "**Us and Them**" is a song by the English progressive rock band Pink Floyd, from their 1973 album *The Dark Side of the Moon*. The music was written by Richard Wright with lyrics by Roger Waters. It is sung by David Gilmour, with harmonies by Wright. The song is 7 minutes and 49 seconds, the longest on the album.
"Us and Them" was released as the second single from *The Dark Side of the Moon* in the United States, peaking at No. 72 on the *Cash Box* Top 100 Singles chart in March 1974. The single peaked at No. 85 in the Canadian chart.
- How To Mint Using Manifold XYZ
How to launch your own music nft smart contract!
Manifold are definitely one of the pioneers in the smart contract space for creatives!
I created this to help #musicians understand how #web30 can be used to have ownership over their #musiccareer utilising #blockchaintechnology
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Tube riding in surfing
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- "**Teardrop**" (also formatted as "**Tear Drop**") is a song by English trip hop group Massive Attack. Vocals are performed by Elizabeth Fraser, former lead singer of Cocteau Twins, who also wrote the lyrics. It was released on 27 April 1998 as the second single from the group's third studio album, *Mezzanine* (1998). A harpsichord-driven track, "Teardrop" was originally set to feature vocals from Madonna, whom Massive Attack turned down in favour of Fraser.
In the United Kingdom, "Teardrop" peaked at number 10, becoming the group's highest-charting single and only top-ten hit in their native country. It reached number one in Iceland and became a top-twenty hit in Australia, Ireland, and New Zealand, as well as in Denmark in 2012. The music video, directed by Walter Stern, features a foetus singing in the womb, and the song has been featured in various television programmes, including as the opening theme for the U.S. television show *House*, an application that has been lauded by the show's British fans as fitting with the music video's medical motif.
- "**For Whom the Bell Tolls**" is a song by American heavy metal band Metallica. It was first released on the group's second album, *Ride the Lightning* (1984). Elektra Records also released it as a promotional single, with both edited and full-length versions. The song is generally regarded as one of Metallica's most popular; by March 2018, it ranked number five on the band's live performance count. Several live albums and video albums include the song.
The song was inspired by Ernest Hemingway's 1940 novel of the same name about the process of death in modern warfare and the bloody Spanish Civil War. Specific allusions are made to the scene described in Chapter 27 of the book, in which five soldiers are obliterated during an airstrike after taking a defensive position on a hill.
Cliff Burton plays the bass guitar introduction with heavy distortion and a wah pedal. Burton wrote the intro long before joining Metallica and first played it during a 12-minute jam at a battle of the bands with his second band Agents of Misfortune in 1979.
The bell sound heard at the beginning of the track was actually produced by drummer Lars Ulrich striking an anvil with a metal hammer in combination with a bell from a sound effects reel.
- ***Ride the Lightning*** is the second studio album by American heavy metal band Metallica, released on July 27, 1984, by the independent record label Megaforce Records. The album was recorded in three weeks with producer Flemming Rasmussen at Sweet Silence Studios in Copenhagen, Denmark. The artwork, based on a concept by the band, depicts an electric chair being struck by lightning flowing from the band logo. The title was taken from a passage in Stephen King's novel *The Stand*, in which a character uses the phrase to refer to execution by electric chair.
Although rooted in the thrash metal genre, the album showcased the band's musical growth and lyrical sophistication. Bassist Cliff Burton introduced the basics of music theory to the band and had more input in the songwriting. Beyond the fast tempos of its debut *Kill 'Em All*, Metallica broadened its approach by employing acoustic guitars, extended instrumentals, and more complex harmonies. The overall recording costs were paid by Metallica's European label Music for Nations because Megaforce was unable to cover it. It is the last album to feature songwriting contributions from former lead guitarist Dave Mustaine, and the first to feature contributions from successor Kirk Hammett.
*Ride the Lightning* received a positive response from music critics, who saw it as a more ambitious effort than its predecessor. Metallica promoted the album on the Bang That Head That Doesn't Bang European tour in late 1984, and on its North American leg in the first half of 1985. The band performed at major music festivals such as Monsters of Rock and Day on the Green later that year. Two months after its release, Elektra Records signed Metallica to a multi-year deal and reissued the album. *Ride the Lightning* peaked at number 100 on the *Billboard* 200 with virtually no radio exposure. Although 75,000 copies were initially pressed for the American market, the album sold half a million by November 1987. It was certified 6× platinum by the Recording Industry Association of America (RIAA) in 2012 for shipping six million copies in the United States. Many rock publications have ranked *Ride the Lightning* on their best album lists, saying it had a lasting impact on the genre.
- "**Scar Tissue**" is the first single from American rock band Red Hot Chili Peppers' seventh studio album, *Californication* (1999). Released on May 25, 1999, the song spent a then-record 16 consecutive weeks atop the US *Billboard* Hot Modern Rock Tracks chart as well as 10 weeks atop the *Billboard* Mainstream Rock Tracks chart, and it reached number nine on the *Billboard* Hot 100. It was also successful in Iceland, New Zealand, and Canada, reaching numbers one, three, and four, respectively. In the United Kingdom, it charted at number 15 on the UK Singles Chart.
- "**Californication**" is a song by American rock band Red Hot Chili Peppers from their seventh album, *Californication* (1999). Released as a single in June 2000, it reached number 69 on the US *Billboard* Hot 100, number 16 on the UK Singles Chart, and number one on the *Billboard* Mainstream Rock Tracks and Modern Rock Tracks charts. It was the third number-one *Californication* single in Iceland.
"Californication" has remained one of the band's most popular and most performed live songs, appearing in almost every setlist since its live debut and making it the band's third-most performed song, with over 500 performances.
- "**In the Mood**" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition "Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938.
In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame. In 2004, the recording was inducted into the Library of Congress National Recording Registry which consists of recordings that are "culturally, historically, or aesthetically significant."
In 1999, National Public Radio (NPR) included the 1939 Glenn Miller recording in its list of "The 100 most important American musical works of the 20th century".
Glenn Miller's "In the Mood", with "I Want to Be Happy" on the B-side, became the best-selling swing instrumental.
- "**Take Five**" is a jazz standard composed by Paul Desmond. It was first recorded in 1959 and is the third track on *Time Out* by the Dave Brubeck Quartet. Frequently covered by a variety of artists, the track is the biggest-selling jazz song of all time and a Grammy Hall of Fame inductee.
- "**So What**" is the first track on the 1959 album *Kind of Blue* by American trumpeter Miles Davis.
It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E♭ Dorian and another eight of D Dorian. This AABA structure puts it in the thirty-two-bar format of American popular song.
In 2021, "So What" was ranked 492 on Rolling Stone's 500 Greatest Songs of All Time.
- **Regina Ilyinichna Spektor** (born February 18, 1980) is a Russian–born American singer, songwriter, and pianist.
After self-releasing her first three records and gaining popularity in New York City's independent music scenes, particularly the anti-folk scene centered on New York City's East Village, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album a major label re-release, Sire released Spektor's fourth album, *Begin to Hope*, which achieved a Gold certification by the RIAA. Her following two albums, *Far* and *What We Saw from the Cheap Seats*, each debuted at number 3 on the *Billboard* 200. 2016's *Remember Us to Life* peaked at 23 on the *Billboard* 200.
Mayor Bill de Blasio proclaimed June 11, 2019, Regina Spektor Day in New York City. Spektor was also inducted into the Bronx Walk of Fame on May 18, 2019, by Borough President Rubén Díaz Jr.
- **Russian Circles** is an American instrumental band based in Chicago, Illinois. The band was originally formed by childhood friends Mike Sullivan and Dave Turncrantz after their previous musical projects dissolved. After parting ways with their original bass player Colin DeKuiper in 2007, the trio was rounded out by Brian Cook. The band has gained widespread recognition based on a series of critically acclaimed albums and extensive international touring. Their name is taken from a drill exercise used in ice hockey, a sport Sullivan and Turncrantz grew up playing in their original hometown of St. Louis.
- ***Lateralus*** (/ˌlætəˈræləs/) is the third studio album by American rock band **Tool**. It was released on May 15, 2001, through Volcano Entertainment. The album was recorded at Cello Studios in Hollywood and The Hook, Big Empty Space, and The Lodge, in North Hollywood, between October 2000 and January 2001. David Bottrill, who had produced the band's two previous releases *Ænima* and *Salival*, produced the album along with the band, and became the last Tool album produced by Bottrill to date. On August 23, 2005, *Lateralus* was released as a limited edition two-picture-disc vinyl LP in a holographic gatefold package.
The album debuted at No. 1 on the *Billboard* 200 chart, selling more than 555,200 copies in its first week of release. It was certified double platinum by the RIAA on August 5, 2003. On February 13, 2015, the album was certified Gold by the BPI. It was also certified platinum in Australia, and double platinum in Canada. The band won the Grammy Award for Best Metal Performance for the song "Schism" in 2002. *Lateralus* was ranked No. 123 on the Rock and Roll Hall of Fame's "Definitive 200" list. This was also the only album of Tool's catalogue which did not featured the Parental Advisory sticker.
- "**Baba O'Riley**" is a song by the English rock band the Who, and the opening track to their fifth album *Who's Next* (1971). It was issued in Europe as a single on 23 October 1971, coupled with "My Wife".
Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: "Don't cry/ don't raise your eye/ it's only teenage wasteland".
"Baba O'Riley" appears in *Time* magazine's "All-Time 100 Songs" list, *Rolling Stone*'s list of "The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll.
- ***My Favorite Things*** is the seventh studio album by jazz musician **John Coltrane**, released in March 1961 on Atlantic Records. It was the first album to feature Coltrane playing soprano saxophone. An edited version of the title track became a hit single that gained popularity in 1961 on radio. The record became a major commercial success.
- Just a little bit talk about **Triple Witching Day**! Scary? ;-)
*Triple witching* sounds like something from a horror movie, but it’s actually a financial term. Options and derivatives traders know this phenomenon well because it’s the day when three different types of contracts expire.
It happens only once a quarter and can cause wild swings in volatility, as large institutional traders roll over futures contracts to free up cash. Doing so creates a ton of increased volume—sometimes 50% higher than average, especially in the last trading hour of the day.
**Which** 3 Types of Derivative Contracts Expire on Triple Witching Day?
*Options Contracts*: These are contracts taken out on the direction of a stock price at a future date. Unlike stocks, they’re not an investment in a company; rather, they’re the right to buy or sell shares of a company at a later timeframe. Calls let you buy stock shares at a set price, known as the strike price, on or before the expiration date. Puts give you the right to sell shares.
*Index Options*: These are futures contracts on a stock index, such as the S&P 500. These options are settled in cash.
*Index Futures*: These are futures contracts on equity indexes. These contracts are also settled in cash.
**When** Is Triple Witching? Triple Witching Calendar 2023
In modern trading, triple witching happens on the third Friday of March, June, September, and December (the last month of each quarter).
Upcoming Triple Witching Dates:
***Friday, March 17, 2023 -expired (2.3 trillions $). Yes, it's already happened last friday. Next:***
***Friday, June 16, 2023***
***Friday, September 15, 2023***
***Friday, December 15, 2023***
- By the way 22 March - is FED day ;-) Rate Freeze, Up or Down? mmmm, intrigue... If they freeze rate - blazing pump i suppose.
- Greeeen Candles on the Bit, greeeeen candles on the Bit ;-) Soon not only there...
- About 1 week after last post and announcement from arbitrum's team about aidrop)
- What do you think of the Arbitrum protocol's snapshot date? Did it happen or not, what do you think in the comments? ;-)
- Do you smell a **SocialFi** trend? ;-)
#socialfi #lens #lenster #lensfrens
- GM guys, how are you?
- #Airdrop 🎯FCFS target 2500 #LFGrow
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- Today I came across the word **Yasai** and here's what I learned googling this (it wouldn't have happened if I had used ChatGPT in this case of investigating). In the past, I have written a couple of scientific papers related to my engineering work, using as one of my research tools, the statistical Monte Carlo method. And now coming across the word Yasai, I went looking up the meaning of the word and happened to come across that this is the name of one of the Excel addons that performs Monte Carlo simulations in Excel. And then I got nostalgic for those years).
"YASAI (this Software is provided free of charge) was developed at the MSIS Department of Rutgers Business School. The add-in was designed for teaching elementary Monte Carlo simulation in Microsoft Excel. Although numerous similar tools do already exist, we needed one that was simple to use for mathematically unsophisticated beginning students, and could be used and installed easily without system administrator privilege. YASAI is a creation of Professor Jonathan Eckstein and Steven T. Riedmueller."
P.S. Also word #Yasai means vegetable in Japan ;-))
#Yasai
- Let's GHOOOOOOO! We are live on Testnet! 👻 gho.xyz
Stay up to date on all things GHO here (and grab the genesis edition collect!)
- #NFT #LENS Wow Best Nft Art Follow Up vote Stke🥰💓
- #NFT #LENS Wow Best Nft Art Follow Up vote Stke🥰💓
- Spent 3 hours preparing chicken soup what did I miss here in Lens meanwhile
- **New podcast with @cryptogirls.lens, Dan Okhlopkov (VIA Protocol) and FOMO Seduction!**
https://youtu.be/OEfVr3GZhYw
Discussed past, present, future and technical issues of **Social apps and Lens protocol.**
And yes, FOMO Seduction on @lenstube.lens soon!
- Just getting started in web3 vs. when it all clicks. The deeper you go, the brighter it gets.
@rabbithole.lens
- GM