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I just voted "YAE" on "[ARFC] Quarterly Gas Rebate Distribution - August 2023" https://snapshot.org/#/aave.eth/proposal/0xd41eebb9d9150f1d4ec106e8117809b78a4841641a18cd0ad47b5d31f6b6bf86 #Snapshot
I just voted "YAE" on "[ARFC] GHO Liquidity Pools: Primary Pools Initial Strategy" https://snapshot.org/#/aave.eth/proposal/0x824b68306034ca6c86d45a2ad7911f45408be0466d6a60b95b67fd0aebc410f9 #Snapshot
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I just voted "Yes" on "Deprecation of METIS Pool on BSC" https://snapshot.org/#/stgdao.eth/proposal/0x85c675f303a69df297e1fdcf6dc2845366a8672362e946150ba4a4d7928cc8ea #Snapshot
I just voted "Yes" on "Add Metis Chain support for MAI Bridging" https://snapshot.org/#/stgdao.eth/proposal/0xf1274081c9f4db1db77f30f21b53f61dde8716f8d3f2aac7367709bd4af369b2 #Snapshot
I just voted "Yes" on "Stargate Deployment On Kava" https://snapshot.org/#/stgdao.eth/proposal/0xed5fe9d40c9e82a53c548d4458fdca91d6d26c12cc34303c205906b5e1854e29 #Snapshot
I just voted "Yes" on "Stargate Deployment On Kava" https://snapshot.org/#/stgdao.eth/proposal/0xed5fe9d40c9e82a53c548d4458fdca91d6d26c12cc34303c205906b5e1854e29 #Snapshot
Until next time, Tokyo ✌️ Featuring: @ethglobal.lens, @galverse.lens, and DAO Tokyo
5. OK bloomer - here's a cute hardware crypto wallet concept for @lensprotocol, because everyone should own and nurture their digital roots. 🌿 Lens Protocol has a special place in my heart because I worked on its brand identity. Will be forever rooting for Lens! #midjourneyv51 #AIart
Introducing the Lens SDK – your new go-to toolkit to create powerful experiences & applications for the social layer of Web3. Developers rejoice! We have lowered the barrier to entry and made it easier than ever to create innovative, powerful, and engaging Lens apps and experiences. With the new Lens SDK you can plug into the Web3 social layer with just 10 lines of code. Pick and choose the features you want - only the components you use contribute to the final size of your app bundles. These capabilities are all handled by the Lens SDK, allowing developers to focus on their core features. The SDK is modular and composable. It seamlessly integrates with other Web3 projects, protocols, and tools such as @litprotocol.lens to enable token-gated publications. Mobile apps have been some of the biggest success stories on Lens. The new SDK doubles down on mobile support, starting with React Native. With the SDK, you can build polished mobile apps without underlying knowledge of the Lens API or Lens Protocol. Come build the future on the social layer of Web3. Get started in our dev docs: https://docs.lens.xyz/docs/sdk-react-intro and dive into our latest blog here: https://mirror.xyz/lensprotocol.eth/LtJBLD6zX_P9EYdsJ2DrT9RaCbiE2vvtajF4Md6wHr0
bd! A big shout-out to all the incredible innovators who participated in the @ethglobal.lens Lisbon 🇵🇹Hackathon. We're still buzzing from the energy, amazing ideas (and pasteis). Here are the winners of the Lens Hackathon 🥁 🥇 InfluLENSer - https://ethglobal.com/showcase/influlenser-dcvrj - An all-in-one platform for hiring Lens influencers to promote your brand. Based on the interconnection between two protocols: Lens and @talentlayer.lens. 🥈Lucky Fren - https://ethglobal.com/showcase/lucky-fren-hku8p - A raffle module for the Follow and Collect actions of the Lens Protocol. 🥉 Lenschool - https://ethglobal.com/showcase/lenschool-ahbut - Lenschool is a social learning platform built on top of Lens Protocol. Creators can monetize their knowledge by selling video courses. Students can enroll in courses, and connect and collaborate with fellow learners. ICYMI dive into the new Lens SDK blog to learn how you can integrate Lens with just 10 lines of code. https://mirror.xyz/lensprotocol.eth/LtJBLD6zX_P9EYdsJ2DrT9RaCbiE2vvtajF4Md6wHr0 We also had prizes for the 5️⃣ Best Lens Integrations 👇 5️⃣ LensPub - https://ethglobal.com/showcase/lenspub-84crk - Decentralised Academic Platform for permissionless science with verifiable reputation for public good. 5️⃣ Teasr - https://ethglobal.com/showcase/teasr-4ygp5 - Teasr is a web3 crowdfunding platform that lets video creators bootstrap financing and fans for their productions. 5️⃣ Highlight - https://ethglobal.com/showcase/highlight-pfwfz - Shining light through the web3 mist! A minimalistic web3 user profile focusing on aggregated insights rather than assets. 5️⃣ Lenstarter - https://ethglobal.com/showcase/lenstarter-cst1r - A crowdfunded credit line for creators where their reputation is used as collateral on-chain. 5️⃣ TBA 🤝 Lens - https://ethglobal.com/showcase/tba-lens-m8ki4 - Using ERC-6551 to create token-bound accounts that make your Lens identity and history transferable.
The Collect module on the Lens API is adding new features: • Put time limits on any Free Collect • Define the supply and/or end date for exclusive Collects (Free or Paid) Try it out today on @lenster.lens. Coming soon to @buttrfly.lens, @orbapp.lens, and other apps across the Lens ecosystem. For devs looking to implement the new 'simpleCollectModule', dive into the docs: https://docs.lens.xyz/docs/create-post-typed-data#simplecollectmodule
@ethglobal.lens Lisbon booth visitors and @letsraave.lens attendees have been allow-listed 🌿
I just voted "Yes" on "Add Euro Coin ($EUROC) to Stargate" https://snapshot.org/#/stgdao.eth/proposal/0xcbefd708a0b64d9e9d634e5d7f57c5056b59285b6a5ba18492cfea4db6a53104 #Snapshot
Today marks our 1 Year Anniversary of making friends onchain 🎂! Thank you to everyone who has made the first year of Lens Protocol so special and groundbreaking. Lens has brought together builders, creators, communities, and friends, all while in beta. There's so much planned for the second year ahead, and we can't wait to continue to grow with all of you. Who did you become frens with on Lens? 🎨 by @nftsushi.lens and all collect proceeds go directly to the artist.
Today marks our 1 Year Anniversary of making friends onchain 🎂! Thank you to everyone who has made the first year of Lens Protocol so special and groundbreaking. Lens has brought together builders, creators, communities, and friends, all while in beta. There's so much planned for the second year ahead, and we can't wait to continue to grow with all of you. Who did you become frens with on Lens? 🎨 by @nftsushi.lens and all collect proceeds go directly to the artist.
gm lens frens 👋 Today I have made an important decision in my life 📢 I quit my job today and going to focus full-time on maintaining the first-ever open-source frontend @lenster.lens 🌸 powered by @lensprotocol 🌿. Building social media was my dream since 10th grade, I built more than 4 social media in public but all failed, Lenster is my 5th one and it’s going crazy ⚡️. I believe building in public is key 🔑 to the success of a product. We have a lot of items queued up in the roadmap, be excited about it 🕺 **Collect this post for 2 WMATIC and support Lenster’s development 🙏**
I just voted on "[TEMP CHECK] Incentivized Delegate Campaign (3-month)" https://snapshot.org/#/aave.eth/proposal/0xf6da417983653f7e7f5560a8e16ad77d5e25533bba9157abfd222347b40d09d0 #snapshotlabs
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I just voted on "[TEMP CHECK] Incentivized Delegate Campaign (3-month)" https://snapshot.org/#/aave.eth/proposal/0xf6da417983653f7e7f5560a8e16ad77d5e25533bba9157abfd222347b40d09d0 #snapshotlabs
greeda
nordoffand
From Aave with love 🤍
Let's GHOOOOOOO! We are live on Testnet! 👻 gho.xyz Stay up to date on all things GHO here (and grab the genesis edition collect!)
It’s GHO time! We are now live on Ethereum’s Goerli Testnet! **GHO’s Codebase** The GHO code is public and available on GitHub: https://github.com/aave/gho-core **Bug Bounty** Help us squash bugs! Follow the governance forum to learn more about bug bounties https://governance.aave.com/t/gho-development-update-testnet-release/11631 **Next Steps** - Get involved here: https://twitter.com/AaveAave/status/1623683916665360384 - Get started at gho.xyz and follow the GHO journey @gho.lens
DeFi developers - the @gho docs & SDKs are live for building on Goerli Testnet 👻 - GHO & Aave V3 Contracts & Source Code - GHO JavaScript SDK - Learn GHO tutorial - Integrate GHO tutorial For example, you can mint GHO in as little as 14 lines of code: https://docs.gho.xyz/developer-docs/overview
Join the discussion and share your thoughts on how the DAO should utilize its CRV holdings. https://governance.aave.com/t/arfc-deploy-acrv-crv-to-vecrv/11628
Welcome to Aave V3 🤝 $LUSD Liquity . Aave continues to lead the way for stablecoin diversity.
#Yasai
https://land.philand.xyz/198957.eth "Yasai Lens Festival", an Official Campaign Collabs with @lensprotocol 🌿 & @lenster 🌸, is now live on Phi. Come And Join #Yasai
https://land.philand.xyz/sos119.eth "Yasai Lens Festival", an Official Campaign Collabs with @lensprotocol 🌿 & @lenster 🌸, is now live on Phi. Come And Join #Yasai
nice day. GM
Newly-launched make-up brand EnKō Beauty – spearheaded by make-up artist and beauty influencer Caylin McDonie – took inspiration from McDonie's own beauty designs to incorporate them into the brand's overall style. McDonie is well-known on social media for her experimental and avant-garde make-up looks, which are magically playful and inspired by high fashion. The recent release of EnKō marks McDonie's exploration into beauty. The word EnKō refers to Japanese folklore, specifically denoting a water dragon and literally translates to beauty in coincidences – which is a nod to McDonie's experimental beauty application technique. Therefore, the brand's identity needed to mirror McDonie's own dreamy aesthetic.
Echinopsis Cactus Flowers Seem to Explode Like Fireworks
I think it started with growing up in Iran and making work—not even political work—and it would get painted over. So then we started to make work about censorship. And child labor: in Iran we used to see a lot of kids on the street selling stuff at ten years old. And we’ve continued to make this kind of work, to talk about it. The things we experienced or that were happening around us in that environment. We were being censored and they would paint over our pieces. So the next day we would come back and do it again. That didn’t stop us, we just wanted to continue. We didn’t start as artists. This has just happened, and naturally continued and evolved. Living here, we’re making work about more international things or about the U.S. We don’t make so much work about Iran anymore, because we have family there, and also because it’s not our lived experience anymore. We live in this freedom now. “As an artist, if you have the power, why not use it in a better way, to raise awareness? Rather than just being about money. Art can inspire people.”— Icy + Sot As an artist, if you have the power, why not use it in a better way, to raise awareness? Rather than just being about money. Art can inspire people.
I’m curious to know how the location or community you’re working in informs your work? Whether it does, or that you are global nomads and not working in a specific community. **I + S:** Six years ago we started traveling. It was nice to meet new people, new artists, new conversations, and seeing the art scene in different cities gives you inspiration. That’s helped us to grow and change, to be open and explore more things. In Europe, artists do different kinds of interventions. Every time we’re traveling it helps with our work in the way we think about our work and our trajectory.
We do both—we have two shows coming up and we usually don’t do two in a row, but we wanted to show the new things we’ve been doing. People are used to seeing completely different work in the gallery from us. But after these shows, we probably won’t do another one for a couple years, and focus more on outdoor installations and public works, and interventions in different cities. When we are active outdoors, we also come to the studio to experiment and do new things. Doing legally public work is really hard. It takes a lot of time, with the permissions. We’ve done some temporary installations that are up for a month, or three months. We’ve been working on a permanent installation in Lisbon for 8 months, but they’re still getting the location pinned down.
Everything. We brainstorm together, talk together about ideas, we work together. Everything. All the processes are together. We start somewhere and work together to build it up. It helps going back and forth with our ideas, and maybe something different comes from it. We do experiments. Sometimes they’re not good. You do work that’s not good, and from there you get somewhere else that’s better.— Icy + Sot It helps going back and forth with our ideas, maybe find something different comes from it. We do experiments. Sometimes they’re not good. You do work that’s not good, and from there you get somewhere else that’s better. Physically working on some tasks is faster. We actually do have some tools that are so big that you need two people to operate it.
Wok to Walk is considered the number one Wok Kitchen operator in Europe and is relaunching globally this month with a new brand identity from Clerkenwell-based design studio Without. Founded in 2004, Wok To Walk pioneered the quick service movement, but the business got lost in this dichotomy and was mistakenly seen as a convenient but unhealthy grab-and-go.
**Christopher:** Many of the images you make are very funny, and there’s a lot of irony and humor. They’re playful. But sometimes, even though they have these qualities, they can be sad, and there’s a sense of melancholy in a way. Is that your hope when setting out to take a photo, that you want to make the viewer laugh or feel joy, or are you trying to tell a story and how people feel is a byproduct of that? **Brooke:** I think there’s something innately playful about what I do that comes through as humor, but I think that can be translated in different ways. A lot of times I’m working very spontaneously. I’ll find a location, and I’ll map out what I’m going to do very quickly. Then other times, it’s more methodical, and I think those tend to be the darker or sad photos. The images where I’ve sat with it and deliberated about what that’s going to look like and say. There’s a photo of me jumping into a corn field, and that photo is very playful. Making that photo was playful because I literally just went out one day and started jumping in this corn field for an hour and that’s how that was made! It’s a mixture. I don’t think too much about it. I have my versions of what they mean to me, but I think it’s funny when somebody says, “that’s really twisted!” or “that’s really dark!” and that same photo another person sees it and starts laughing. I like that! I like that open story line. Part of what makes it accessible is being able to imagine their version of it.
This place is one where Tracey creates sumptuous collages made from beautifully textured papers. Her distinctive creations are inspired by designers who "use colour and pattern to the max", as she is inspired by how the two intertwine to create visually exciting pieces. "Some of my favourites are Eric Carle for his lifelong work of collage and storytelling and sisters Susan Collier and Sarah Campbell for their joyous pattern making," she adds, and there's a clear line between their work and her own style, which she describes as "fun, vibrant and decorative." Just like the patterns she creates, Tracey's days have a rhythm and order all of their own. "My day always starts with a cup of tea and a banana," she enthuses, "followed by a walk around the local neighbourhood with our dog. After that, I make a coffee and check my emails and make a plan for the day. "Sometimes my day is spent just creating in my tiny home studio, and on other occasions, I'm sat at my computer tidying up images. I also run an online Etsy shop, so I tend to pack any orders in the morning so that I can take them to the post office at lunchtime. "Depending on what I need to get done, I work till late afternoon and then take our dog out for her evening walk before ending my work day."
It sounds like a wonderful setup, but how does Tracey recharge those all-important creative batteries? "If I have time, I love to take part in online challenges," she reveals. "These are a great way to create new work, make new connections and be inspired by others. "For the past few years, I have participated in a 100-day online project, where I create something every day for 100 days. Not at all easy but, in the long run, very rewarding. This year it was something slightly different, and it took place over the whole year. The project was based around colour and is hosted online by artist Este Macleod. I decided to create a mini canvas each week, prompted by her suggested colours. "I have now produced over 50 mini canvases, which I hope to develop into some new licensed work, and I plan to sell the originals in the new year once the challenge is over." By creating collages out of traditional mediums, including her trusty embroidery scissors, a pot of Nori Starch paste glue, acrylic inks and paper, Tracey's work truly stands out in an increasingly digital landscape. However, she isn't averse to polishing them digitally. "I love the physical aspect of mixing the paints and creating the textures, and from that, being able to produce an image from cut-up pieces of coloured paper," she explains. "I start all of my work by hand. Sometimes I just create icons and assemble them in Photoshop, and other times I will collage the entire image first in paper and then just clean it up on the computer."
I just voted "YAE" on "[ARFC] LDO Emission_Admin for Ethereum, Arbitrum and Optimism v3 " https://snapshot.org/#/aave.eth/proposal/0xc28c45bf26a5ada3d891a5dbed7f76d1ff0444b9bc06d191a6ada99a658abe28 #snapshotlabs
GM
"However, painting will always be a stress reliever for me. It will always be a way to express myself, no matter what mood I'm in, and I can't imagine that ever changing." I Want You To Remember This, which has been curated by Amelie von Wedel and Pernilla Holmes of Wedel Art, is available to see now at The Arts Club until February 2023.
But given the broader perception of cannabis, brands in this sector still face a series of uphill struggles. Chiefly, they need to have a sense of authority and establish trust with the public due to the market being cluttered with inconsistent products that don't live up to their promises. And these are the areas Robot Food honed in on. Recognising that there was a void for a "beacon brand", the consultancy focused on positioning Breez as a "functional and utilitarian lifestyle product". Running with the idea that Breez's products are part of an essential ritual in people's daily routines, Robot Food wanted the brand to be seen as empowering and capable of "unlocking the benefits of cannabis from an easy, reliable and trusted source." To do this, Robot Food leans on vibrant colours and bold illustrations. These are based on the central idea of helping people to 'unlock' their day, hence the inclusion of swooping arrows which grounds the idea in relatable actions. And as each product in Breez's range of tablets, mints, and sprays directly targets specific well-being issues, these are reflected in the colours and packaging designs.
And as well as reflecting Breez's status as a leading brand, the new identity was also a welcome opportunity for a bit of a tidy-up. Over the years, Breez's brand architecture had become somewhat confused as new products were added, so Robot Food decided to simplify the range and establish clear differences between phenotypes, cannabinoids, strengths and flavours. It wasn't a total overhaul, though. The vibrant colours of Breez's identity are still present, and its familiar, blocky typography has been carried over and given a slight reworking. All of these changes help Breez to lead with functionality and consistency, which helps the packaging to convey a lot in a limited space without compromising aesthetics.